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Pete Seeger, Musical Revolutionary

Brett Clark, Scott Borchert

Abstract


In the late 1950s, Pete Seeger received a letter from his manager, Howie Richmond, begging him to write a new hit song. … [Richmond] believed that “protest songs” were not marketable. Seeger was angry—he had a new song in mind, with words from a poem that he had set to music, and he believed it was, in a deep and significant sense, a song of protest.…. The song, of course, was “Turn! Turn! Turn! (To Everything There Is a Season),” which continues to be performed and recorded by many artists, and most famously became a huge folk-rock hit for The Byrds. It was as though, despite himself, Seeger produced a hit song, even when commercial popularity was the furthest thing from his mind—an example of how inseparably his songwriting talents and political principles were bound together.

Keywords


Revolutions; History; Media; Movements

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DOI: http://dx.doi.org/10.14452/MR-066-08-2015-01_5

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